The Gardens Between The Pillars
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The Gardens Between The Pillars
The Gardens Between the Pillars is one of five movements of The Elemental Cycles, where each cycle uses a primary element as the principal character. In fact, all five cycles are considered works for “cinema for the ear.” For this cycle, the sole element used is wood, including sound images pertaining to wood. There are books and creaky doors, wood surfaces where steady and irregular footsteps walk, the flow of trees pertaining to The Pillars, as well as divine and earthly creatures, and pure and warpy, rough music to accompany this cinema for the ear.
The Gardens, first and foremost, are made up of interior and exterior scenes, motions and projections, and the emergence of figurative and explicit sounds from the decentralization of The Pillars.
In search of a narrative, doors open and close, pages turn,
The duality of images that represents:
Theory and Knowledge
Beauty and Violence
Life and Death
Temptation and Enlightenment
The duality of these sound-images contains the same motion ‘not two’: Advaya
The Pillars points at transcending this duality through
The reallocated sound images, sound function, and motions
As ways to navigate The Gardens Between
The Pillars¬ are the paths, which reveal the interconnection of the natural, the inter-complexity of the nurtured, and the intervening of scenes through insertion
Which often feel that what is represented is horrific and cruel
We recognize from the far plane The Gardens as a gestalt labyrinth
Up close we perceive the many, many paths and narratives
Between The Pillars, we are presented implications of sounds that have neither beginning nor end
A wanderer severed from illusion in the infinite forest
An area of the Everblossom trees, a life of fleeting beauty
It is the worldly sculpture of the Bas and High-Relief
Realms of the Divine and Mortal
An immersion of boundless rhizome—a chiasmus of sonic ascription
An immersion of all materials of wood perceived
A duality must be understood to walk the way broadly
And you will hear it in everything